In interior Maharashtra, a fisherman’s son and a local politician’s daughter fall in love against the restrictions of caste hierarchy. The screenplay was done by Nagraj Manjule whereas the movie was released on 29 April 2016. Every time we planned the shoot, he fell sick. Sairat is a 2019 romantic and drama Marathi movie and The film star have Rinku Rajguru and Akash Thosar played the lead roles in this movie. We had to postpone the shoot thrice because the kid wasn’t feeling well. To get it right from him was a challenge. “That scene was very tricky because it involved a small kid,” he said. Reddy said it was a challenge to shoot the scene, but for a different reason. The final scene of the film literally shocked audiences in theatres as few expected Archi and Parshya to be killed, that too in such a gruesome manner, while the child is shocked. "They were young, so they were ready to learn and work hard.” Rinku Rajguru On Life After Sairat And Her New Marathi Film Kaagar The 17-year-old actress on dealing with fame and why it took her three years to find the right second film. Reddy said it is always a challenge for the cinematographer when the artistes involved are new, but in Sairat that was not much of a problem. To balance the zones of reality and dream was a big challenge.” Sairat is the second blockbuster for Marathi film industry this year after Nana Patekars smashing hit, Natsamrat. This is a dreamy and romantic idea of thinking how great life will be.”Īkash Thosar and Rinku Rajguru in a still from SairatĪbout the other world, he said, “It is realistic but we have to make it in a very dreamy way so that it goes smoothly into the space of two characters going through hardships and realizations in the second half. Wild) is a 2016 Indian Marathi-language romantic tragedy film, directed by Nagraj Manjule and produced by Manjule himself under his banner.
“One is the realistic world and the other is a romantic, dreamy kind of world,” he said. Reddy's challenge as director of photography was to capture two different worlds within the same film. But Sairat showed that if you make a good film, then there is an audience. People think Marathi is a small industry and there is not much money. “For the Marathi industry it was a revelation to have such a big market opening up. Made in Marathi, the film had such an interesting take on marriages outside the caste system. Directed by Nagraj Popatrao Manjule, this is the first Indian film to record its. A special mention must be made of the film Sairat (2016). It is also important to tell these socially relevant stories. This latest Marathi venture has created a history in the Indian cinema. "It was accepted not just in Maharashtra but also every other part of the country. “Sairat showed that certain films can be viable commercially if you have a good subject without big stars," Sudhakar Reddy said. While Manjule and Rajguru became stars with Sairat, cinematographer Sudhakar Reddy Yakkanti was also one of those whose work on the film was appreciated.
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